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A Still Life, Line and Wash Watercolour Driftwood demonstration. Great for beginners. Peter Sheeler

December 6, 2018 by admin

A Still Life, Line and Wash Watercolour demonstration using just 2 colors. Great for beginners.

  • DEMONSTRATION
    DEMONSTRATION
  • Practical Demonstration
    Practical Demonstration
  • Demonstration
    Demonstration

Now selling my paintings on Ebay
Link: http://www.ebay.ca/sch/sheelerart/m.html?_nkw=&_armrs=1&_ipg=&_from=

MATERIALS
PEN: A Pigma Micron pen, 005 nib. I’m using a rather worn out Pigma Micron 005 nib pen.

PAPER: Size- 5″x7″
Arches 1401b Cold PRESS Paper for this Video.
My papers of choice include Arches 140lb Hot press and Cold press paper and Strathmore 500 series Sketchbooks. All are 100% cotton rag.

For beginners, I recommend starting with a high quality paper and experimenting with different types. As your style develops, you’ll get a feel for which type is best. Waiting to switch to a better quality paper later will be much like learning to paint all over again.

MY PALETTE: All tube paints!
Winsor Newton- Yellow Ochre, Sepia, Burnt Sienna, Winsor Red, Davy’s Gray, Ultramarine, Sap Green.
DaVinci – Phthalo Blue, Quinachridone Fuchsia, Cadmium Yellow Lemon, Cadmium Yellow Deep.
A note on Davy’s Gray: I rarely use this pigment straight and when using it I usually mix it with each colour used.

PAINT PALETTE::
The palette is the mixing tray from a “Koi” Watercolour travel set. The colours are set up so the ones I mix together most often are close together.
The paints are poured onto slips of paper and then stuck to the palette.

BRUSH:
A Polar Flo 1/2 inch flat brush is my current favorite. The bristle were originally white but have become stained.

I often use inexpensive brushes because several of my techniques are quite abusive.
Whenever the brush disappears from the screen it is either being wiped off or rinsed.

See also  neo Woodstock Lichtskulptur light sculpture resin ToSaLignea

REFERENCE IDEAS: come from my imagination/memory, my own photos or by painting on location.

I rarely draw what I see. I tend to draw what I wanted to see. If I use a reference photo, I prefer to look at it on my phone screen, nothing bigger. I’m not looking for a scene to paint, I’m looking for an idea to paint. Once I begin drawing I’ll go for several minutes before I check the reference. Sometimes, once I’ve stared, I never refer to the reference again.

I am currently unable to overlay an image of the reference photo as I don’t have the proper software. As well, I haven’t room on my current set up to simply display a photo on the work surface.

Music by Chris Martyn and Geoff Harvey. http://www.purple-planet.com

A Still Life, Line and Wash Watercolour Driftwood demonstration. Great for beginners. Peter Sheeler

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